The "spatial consciousness" constructed by China's "the world's most beautiful book"

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Mingxia Yang
Fang Gu

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         Books try to build a unique sense of space that integrates with the content, so book designers should use the "spatial consciousness" aesthetic theory through different design concepts, design methods, design materials and other design practices. Based on the perspective of Chinese aesthetics, combined with the "spatial consciousness" of Zong Baihua, a master of Chinese aesthetics, the article deeply analyzes the connotation and expression of Chinese book design. From China in recent years, "the world's most beautiful book" winning works, the Chinese aesthetic theory ZongBaiHua "space consciousness" and the integration of modern book design concept, technology, a kind of beauty of vitality, the reality, harmony of space design practice is generated, and the space to the book design aesthetic theory of practice, a book unique "space consciousness" building exploration, highlight the existence of electronic digital age traditional paper books and cultural significance, for China and the world modern book design provides the Chinese experience.
          This article reveals the construction of the book design of the four award-winning books in China on the international high-level Leipzig "World's Most Beautiful Book" platform, which combines the ancient and modern "poetry, calligraphy, and painting spatial consciousness" and "separated architectural spatial consciousness" of Chinese aesthetics master Zong Baihua. In fact, it is a cosmology of "time and space integration".

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