สัมพันธบทข้ามสื่อและข้ามวัฒนธรรมเรื่อง “ริง” ในนวนิยาย ภาพยนตร์ ละครโทรทัศน์ และหนังสือ การ์ตูน

Abstract

This research aims to analyze the cross-media intertextuality of “Ring” in novel, film, television drama and manga and to analyze the transcultural intertextuality of “Ring” in Japanese film, Korean film and Hollywood film, including the analysis of critical aspects of 2 types of intertextuality. The research conceptual frameworks are the following: narrative, media type, intertextuality and adaptation, and communication and societal culture.

The research has found that the cross-media intertextuality of “Ring” in novel, film, television drama and manga was maintained, extended, reduced and modified. In the case of book-to-film adaptation, the modification was mainly in the plot and genre. The book-to-television drama was adapted from two novels. Furthermore, in the book-to-manga and film-to-manga adaptation, the text was maintained as in the original source. On the other hand, the transcultural intertextuality of “Ring” in Japanese film, Korean film and Hollywood film were maintained, extended, reduced and modified, including the concept of adapted social and cultural context.

The critical aspect of the cross-media intertextuality of “Ring” was that the form of presentations adaptation depends on media nature, while the text was adapted to correspond with the target group. On the other hand, the critical aspects of the transcultural intertextuality of “Ring” were the adaptation in social and cultural context, as well as text, which depend on the target group of each country.