The Aesthetics and Decorative Techniques of Dangyangyu Kiln's Jiao Tai Porcelain in Henan Province During the Song Dynasty to Design Contemporary Ceramics
Article Sidebar
Main Article Content
Abstract
The objectives of the research on “The aesthetics and decorative techniques of Dangyangyu Kiln's Jiao Tai porcelain in Henan Province during the Song Dynasty to Design contemporary ceramics” were to study the historical background of Dangyangyu Kiln's Jiao Tai porcelain culture during the Song Dynasty, to analyze technical, aesthetics and cultural connotations of Dangyangyu Kiln's Jiao Tai porcelain culture during the Song Dynasty, and to design Jiao Tai contemporary ceramics in order to inherit and create them. According to literature review, field study, and interviews with involved experts. The Jiao Tai porcelain from Dangyangyu Kiln in the Song Dynasty originated in the Tang Dynasty and flourished during the Song Dynasty. During the Song period, it became a distinctive type of ceramic among the many ceramic arts in the region, and it was also a special ceramic craft that emerged in the Central Plains of China during the Song Dynasty.Jiao Tai porcelain was an innovative product from the Dangyangyu kiln, designed to meet the competitive demands of the booming commercial economy and the aesthetic preferences of society during the Song Dynasty. The 4 styles of aesthetics of Dangyanyu Kiln's Jiao Tai porcelain culture during the Song Dynasty were acknowledged, i.e., orderly beauty, symmetrical beauty, natural beauty, and living beauty. Innovations in the contemporary age include earth material innovation, form innovation, decorative innovation, and technical innovation. As a consequence, the research obtained a creative idea that led to the 2 sets of created aesthetic works, which combined the decorative style of Dangyangyu Kiln's Jiao Tai porcelain culture during the Song Dynasty with contemporary decorations. The combination brought the variety of aesthetics
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Content and information in articles published in the Journal of Fine and Applied Arts of Khon Kaen University is regarded as the opinion and sole responsibility of the author(s) directly; therefore, editors are not obliged to agree to or share any responsibility with regard to the content and information that appears within these articles.
All articles, information, content, image, etc. that have been published in the Journal of Fine and Applied Arts of Khon Kaen University is the copyright of the Journal of Fine and Appllied Arts of Khon Kaen University. Any person or organization who wishes to distribute all or parts of the articles for further dissemination or other usage must first receive permission from the Journal of Fine and Applied Arts of Khon Kaen University before proceeding to do so.
References
Beijing Art Museum. (2011). China Dangyangyu Kiln. China : Overseas Chinese Publishing House.
Henan Daily. (2022, November 10). Visit the famous kilns in the Central Plains: “Revisiting the ancient historical kilns in the Central Plains” series of reports. Retrieved July 21, 2024, from https://www.sohu.com/a/604346238_121375869
Huang, H. (2016). Inheritance and Development of Dangyangyu kiln Jiao Tai pottery. Master's thesis, Jingdezhen Ceramics Institute, Jingdezhen.
Liu, M. (2020). Research on aesthetic Issues of Chinese “Modern Ceramics”. Doctoral dissertation, Shandong University, Shandong.
Shao, D. (2024). Paths of the Inheritance and Innovation of the Ceramic Culture in the Era of Intelligent Media. Journal of Jingdezhen University, 59.
Song Dynasty Porcelain Collection. (2017, October 19). Song Dynasty’s Jiaotai Porcelain Culture. Retrieved June 2, 2024, from https://www.sohu.com/a/198950445_369322
Xiuwu County Chronicle Compilation Committee. (1986). Xiuwu County Chronicle, Henan People's Publishing House. Retrieved September 19, 2024, from https://books.google.co.th/books?id=V1cLAQAAMAAJ
Ye, Z. (1982). On Dangyangyu Kiln and Cizhou Kiln Series. Chinese Ceramics, (1), 47-53.
