Official Kiln Ceramic Form Study — A Case Study of Jingdezhen Ceramics from the Kangxi, Yongzheng, and Qianlong Emperor Periods of Qing Dynasty
Article Sidebar
Main Article Content
Abstract
The objective of this research is to study the overall of official kiln ceramic during the reigns of Kangxi, Yongzheng, and Qianlong Emperor of Qing Dynasty, and to analyze the identity and factors in the creation of the forms of ceramic during the Kangxi, Yongzheng, and Qianlong Emperor period of Qing Dynasty. this research used documentary research and field research to collect data for study and analysis. From the study, it can be concluded that there are five factors that created the forms of official kiln ceramic during the Kangxi, Yongzheng, and Qianlong reigns of the Qing Dynasty: 1) materials and production technology; 2) the influence of the aesthetics of Royal Court 3) Influence of nobles who manage ceramic work 4) Influence of traditional folk aesthetic concepts 5) Influence of foreign cultures. From data analysis the identity of the forms of the official kiln ceramic during the Kangxi, Yongzheng, and Qianlong reigns of the Qing Dynasty can be summarized as follows: 1) the forms of the Kangxi official kiln ceramic are tall, prominent and powerful; 2) the forms of the Yongzheng official kiln ceramic are soft and humble. 3) The forms of the Qianlong official kiln ceramic are luxurious and grand.
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Content and information in articles published in the Journal of Fine and Applied Arts of Khon Kaen University is regarded as the opinion and sole responsibility of the author(s) directly; therefore, editors are not obliged to agree to or share any responsibility with regard to the content and information that appears within these articles.
All articles, information, content, image, etc. that have been published in the Journal of Fine and Applied Arts of Khon Kaen University is the copyright of the Journal of Fine and Appllied Arts of Khon Kaen University. Any person or organization who wishes to distribute all or parts of the articles for further dissemination or other usage must first receive permission from the Journal of Fine and Applied Arts of Khon Kaen University before proceeding to do so.
References
Feng, X. (1984). A Brief Discussion on the Ming and Qing Porcelain Collection in the Palace
Museum. Cultural Relics, (10), 34-39.
Feng, X. (2001). Chinese Ceramics. Shanghai Ancient Books Publishing House.
Geng, B. (2006). Identification of Ming and Qing Porcelain. Forbidden City Press.
Li, J. (1993). On the Porcelain Plastic Art of Kangxi, Yongzheng and Qianlong. Jingdezhen
Ceramics, 3(1), 100-107.
Min, Y. (2006). History of Chinese Ceramics. SDX Joint Publishing Company.
Palace Museum Digital Exhibition Hall. (n.d.). Digital Artifact Library https://digicol.dpm.org.cn/?category=6
Shen, Y. (2014). Research on the artistic thought of porcelain Design of Jingdezhen imperial
kiln in the Three Dynasties of Qing Dynasty. Ceramic Institutes of Jingdezhen, (8), 11.
Tie, Y., & Xi, M. (2012). "History of Official Kiln Porcelain in the Qing Dynasty". China Pictorial Publishing House.
Wang, Y. (2011). Research on the decorative art characteristics of Jingdezhen imperial kilns in
the Qing Dynasty. Ceramic Institutes of Jingdezhen, (9), 25.
Yang, Y. (1983). Starting from the porcelain shapes of the Ming and Qing dynasties.
Jingdezhen Ceramics, (04), 33-36.
Yang, Y. (2001). Talk about Pottery and Art. Heilongjiang Fine Arts Publishing House.
Yang, Y. (2004). Ceramic plastic art. Higher Education Press.
Ye, P. (1992). Porcelain-making achievements of Tang Ying and his assistants. Journal of the
Palace Museum, (2), 5.
Zhang, N. & Zhang, M. (2011). Jingdezhen imperial porcelain in the Flourishing Period of
Kangxi and Qianlong dynasties. Jiangsu Fine Arts Publishing House, 11.
