Natural form sculpture in Nongrawiang forest
Main Article Content
Abstract
The purpose of this series of creations is to study, experiment and create sculptures from nature, life and time. It is an important ingredient in the creation of sculpture. Nature and environment the passage of time causing non-stop is constantly changing represents the relationship between people and the environment both body and mind express feelings by using shapes that are characterized by their structure, life with volume. To create visual effects and to realize the coexistence of life structures using different materials, clay and iron and mixed together into new components. It presents a view of life in nature that depend in harmony with each other. Can develop further patterns and concepts in creativity the sculpture works of the researcher and the impact on students, teachers, artists and contemporary art circles of Thailand continue to.
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Content and information in articles published in the Journal of Fine and Applied Arts of Khon Kaen University is regarded as the opinion and sole responsibility of the author(s) directly; therefore, editors are not obliged to agree to or share any responsibility with regard to the content and information that appears within these articles.
All articles, information, content, image, etc. that have been published in the Journal of Fine and Applied Arts of Khon Kaen University is the copyright of the Journal of Fine and Appllied Arts of Khon Kaen University. Any person or organization who wishes to distribute all or parts of the articles for further dissemination or other usage must first receive permission from the Journal of Fine and Applied Arts of Khon Kaen University before proceeding to do so.
References
โครงการอนุรักษ์พันธุพืชหนองระเวียง. (2560). พรรณไม้หนองระเวียง. นครราชสีมา : สมบูรณ์การพิมพ์.
ธีรพงษ์ ศรีฮาด. (2555). ความเคลื่อนไหวกับเวลา. วิทยานิพนธ์ปริญญาศิลปมหาบัณฑิต สาขาทัศนศิลป์ บัณฑิตวิทยาลัย มหาวิทยาลัยเชียงใหม่.
วิบูลย์ ลี้สุวรรณ. (2546). ศิลปะชาวบ้าน. พิมพ์ครั้งที่ 3. กรุงเทพฯ : อมรินทร์.