The Art of Nora in Trang Province

Abstract

          This article is part of the research on “The Preservation, Revival and Development of Nora Trang Province” aims to study the history, cultures and contexts related to Nora Trang Province. The result of the research study has found that there are 6 essential Nora heritages of Trang Province regarding beliefs of Kru Mo Nora (Spirits of ancient Nora masters) in Trang Province. There are not only the beliefs in God Shiva (Phra Isuan), God Vishnu (Phra Narayana), Lord Brahma (Phra Prom) and Guardian spirit but also other gods. The consecration of Buddha and local sacred images is also found. The list of Kru Mo Nora or Nora Masters exists more than 12 masters.Nora dancing performance “Master Style Performance” of each Nora member group in Trang Province still has some similar dancing performances and others that are different-some dancing performances have similar main dancing performance and some have been transcribed from Nora acts consecutively. Transmission of wisdom of Nora performance is called “oratory.” The costumes of Nora performance are dressed according to ranking status of Nora heritages; roles in Nora performance and position of the Nora member groups.The musical instruments used in the current Nora performance are still traditional ones. However, the use of other musical instruments is also included while performing. Nora music performed along with the dancing gestures is a main rhythm called “Pleng Ko rhythm.” Nora music performed along with the dancing gestures is called “Tengtung rhythm” or “Teungtung rhythm” for slow dance and for quick dance is called “Na Tub rhythm (Nad Reay rhythm).” In terms of melody, the bagpipe, keyboard, and fiddle are used to proceed the melody by using only the important part of the popular music to perform such as traditional Thai songs, folk songs, ballad, traditional songs and songs for life.