Origin and current situation of Chinese vocal music and Chinese vocal soprano

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Shi Jing
Manop Wisuttipat

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           Since the introduction of Western bel canto to China in the 1920s, the soprano voice has also appeared in bel canto teaching. Western vocal music was introduced to China through the initial form of church chants, various types of choirs in schools and society, as well as Western opera performances. It was gradually accepted by the Chinese people, and while Western vocal music was spreading in China, it also opened up the learning of modern Chinese vocal music. Over the past century, through learning and borrowing from Western vocal music as an "imported product", including studying, accepting, and imparting modern vocal science singing methods and different Western vocal schools, vocal singing methods, as well as related teaching experiences and knowledge systems, in the process of combining and adapting scientific singing methods with the language, rhyme, and even artistic emotions of the Chinese national anthem, and completing its Chinese style artistic expression.

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Jing , S. ., & Wisuttipat, M. . (2024). Origin and current situation of Chinese vocal music and Chinese vocal soprano. Journal of Roi Kaensarn Academi, 9(11), 1970–1978. สืบค้น จาก https://so02.tci-thaijo.org/index.php/JRKSA/article/view/281249
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