The Definition of the Concept of Yunnan “New Folk Songs”

บทคัดย่อ

         The objective was to study from related literature,define the concept of Yunnan “New Folk Songs”.This study adopts qualitative research.The tool for the data collection is the literature studies.The research results were obtained by reviewing and sorting out relevant journals, academic papers, books, magazines and online information about Yunnan “New Folk Songs”, and using on-site observation and literature data collection.Using the theory of musicology and performance theory, this paper analyzes the creation characteristics, performance characteristics and aesthetic characteristics of Yunnan “New Folk Songs”, and explores its concept.
          The research results found that:Since the late Qing Dynasty and the early Republic of China, the germination of Yunnan “New Folk Songs” has appeared, and it has experienced five stages of germination, start, trough, recovery and development.It is significantly different from Yunnan traditional folk songs, and presents unique creative characteristics, performance characteristics and aesthetic characteristics in terms of the mode of transmission, creative purpose, content of the times, language used, vocal voice mode, form of expression, arrangement and accompaniment. The creation of Yunnan “New Folk Songs”: based on Yunnan local music materials, the integration of fashion, diversified creative techniques;The performance: combine the fashionable, diverse stage and costumes.the singing language is mainly Mandarin, and the language and singing of the minority and pop singing are integrated according to the songs, so as to realize “crossover” or even “boundless”; fashionable and diversified stage and clothing.At the same time, it presents the aesthetic characteristics of nationality, region and times.