A Study on the Dance Form of Yangko in Changli, Hebei, China

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Lu Guo
Dongxing Liu

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          The emergence and development of Yangko are closely related to human activities. Initially, Yangko was a piece of music that people hummed during the process of labor. In later development, it further absorbed various arts such as agricultural songs and folk art, gradually becoming a folk dance with performance characteristics. Yangko is a very typical folk dance of the Han ethnic group and an important component of their daily life. Hebei Province, China is one of the important birthplaces of Yangko art, with unique and diverse forms of Yangko. Among them, Changli Yangko is the most regional and was selected for national intangible cultural heritage protection in 2008.
          This article adopts a combination of theoretical discussions and case analysis methods, and proposes its own views and insights through the sorting and analysis of relevant theories and research results. Case analysis is an in-depth study and analysis of the performance of Yangko in Changli, exploring the artistic forms, characteristics, and connotations of Yangko. In terms of research content, this article takes Changli Yangge in Hebei Province as the object of investigation and research, and takes the dance form characteristics of Changli Yangge as the starting point to explore the interactive relationship between Hebei Yangge and rural society and rural life, revealing the mutual influence of Yangge art and social culture.

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