“A study on the Composition of the Musical and Cultural Landscape of Tourism in Dong Village of Huangdu in China”

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Hui He
Chutima Maneewattana
ShuFeng Zhao

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 The development of Chinese tourism music performance has provided sufficient research fields and materials for domestic and foreign scholars. Conducting research on tourism music and cultural landscapes in tourism destinations can not only broaden the research perspectives of anthropology and sociology, but also generate important practical research results. Since 2020, researchers have conducted long-term field research in the Huangdu Dong Village in China. Through systematic observation and interviews, guided by Arjun Appadurai's Global Cultural Landscape Theory, they attempt to grasp the composition of the tourism music and cultural landscape of the Huangdu Dong Village from five dimensions: ethnic landscape, media landscape, technological landscape, financial landscape, and ideological landscape.Through research, it has been found that: (1) in the ethnic landscape of the Huangdu Dong Village, tourism performers have multiple identities; (2) In the media landscape of Huangdu Dong Village, scenic spots actively construct media images through imagination; (3) The technical landscape of Huangdu Dong Village is still in a relatively early stage; (4) The financial landscape of Huangdu Dong Village clearly demonstrates the importance of tourism performance for scenic spots; (5) In the ideological landscape of the Huangdu Dong Village, "Dong Kuan" ("Dong Regulation" ), Chinese,and red culture have played a clear role.
         The development of Chinese tourism music performance has provided research opportunities for scholars. Research in Huangdu Dong Village revealed multiple identities among tourism performers, active image construction by scenic spots, an early stage of technological landscape, the importance of tourism performance financially, and the influence of "Dong Kuan," Chinese culture, and red culture ideologically.

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