Creation of Isaan Folk Dance Den Dong Chom Bung Ling

Abstract

This research consists purposes were 1. to study the natural resources of Kosamphi Forest Park Kosum Phisai District Maha Sarakham Province and 2. to create the performance “Den Dong Chom Bung Ling” (A Walk in the Forest to See the Bung Ling). This research is qualitative in nature The study was conducted through a review of relevant literature and documents. Data gathered from the literature review were analyzed using content analysis. The research findings revealed that 1) The natural resources of Kosamphi Forest Park in Kosum Phisai District Maha Sarakham Province attracted the researcher’s interest and became the focus of the study. The research explored creative concepts for northeastern Thai dance choreography, including the invention of dance movements and the selection of accompanying music. Knowledge and basic skills in performing arts were applied to create diverse and innovative routines, expressing the aesthetic qualities of the dance and reflecting local identity. The results are expected to be beneficial to agencies interested in preserving, disseminating, and promoting cultural knowledge, as well as enhancing tourism. The performances are designed to be distinctive representations of the cultural heritage of Kosum Phisai District Maha Sarakham Province making them better known to the general public and 2) The creative performance “Den Dong Chom Bung Ling” was developed to promote local cultural heritage in the form of a creative Isan folk performance. The creative process involved 2.1) Developing the concept based on Isan folk dance traditions 2.2) Determining the structure as an Isan folk dance, including segments narrating and inviting audiences to visit the area, thereby promoting tourism 2.3) Selecting music from an Isan folk music ensemble to accompany the performance 2.4) Choosing performers capable of delivering an aesthetically pleasing artistic experience and 2.5) Designing costumes and accessories based on traditional Isan attire (1) Costume design adhered to traditional Isan dress codes and suited the performance context (2) Performers wore seua khaen kabok (tube-sleeve blouse), sabai (shoulder cloth), and a pha toong (wraparound skirt) (3) Costume shapes and colors were selected to suit the performance style and allow ease of movement (4) Colors were chosen to convey brightness and vibrancy and (5) Accessories included floral hairpieces, necklaces, sangwan (chest ornaments), earrings, bracelets, and belts reflecting Isan traditions. Designing dance movements as an essential creative process in the performing arts. Beautifully choreographed movements enhance the overall performance and capture audience attention. New movements were crafted in harmony with established principles of Thai classical dance, requiring a solid foundation of knowledge to ensure beauty and coherence in the choreography.