Interpretation of the Story of Naming the City of Nakhon Ratchasima to the Creation of Sculptures.

Abstract

This research consists purposes were 1. to examine and interpret the legend surrounding the naming of Nakhon Ratchasima City for the purpose of creating sculptures 2. to investigate how to translate language into visual language from the creative works of artists and 3. to produce sculptures in public settings that are beautiful in form and elicit strong emotions in viewers. This study was qualitative. An observation form and a record form are tools for gathering data. Through content analysis, the information gathered from interview forms and related documents were then content analysis. The research findings were as follows: 1) Thoughts, fantasies, and familial warmth were expressed in the analysis and interpretation of Nakhon Ratchasima's narrative naming. The narrative's vibrancy is in keeping with the central idea of the International Art Exhibition of the Thailand Biennale, Korat, which embodies the locals' wisdom. 2) This research analyzed of the method for converting literal language to visual language by using language as a starting point for formation. The physical traces of the alphabet remain. The traces are the lion's head and Khun Singha Sakhon's traces are the contours of the male face and the male body leaping forward and 3) The creation of public sculptures in which the aesthetic value and symbolic significance of shapes are expressed through techniques. Nakhon Ratchasima's local area is depicted in terracotta. A clear resin that represents a new era. The piece is also unique because of how it is put together. It is set in a circular pond and has trees in the background that provide shade.