Dance Tactics the Heroic role in Dance Drama of Venika Bunnag National Artist in Performing Arts 2015.

Abstract

This research consists purposes were 1. To study the history and performances of Play Performed by all male,Play Performed by all female,mixed drama of Ajarn Wenika Bunnag, the national artist. Performing Arts, B.E. 2558 and 2. To study dance techniques The role of the hero of the dance drama of Ajarn Wenika Bunnag, who is a national artist. The performing arts field, B.E. 2558 is a qualitative research with research tools such as a survey, an observation form, an interview form and a descriptive-analytical method of presenting research results with a sample group consisting of A group of 3 knowledge workers, a group of 5 practitioners, a general group of 10 people, a total of 18 people. The data collected from documents and field data from the sample group were then presented by descriptive analysis methods. The results showed that 1) Ajarn Wenika Bunnag has been practicing Thai dance since he was young, having been transferred by many great teachers who have expertise in the field of dance, such as Thanpuying Phaew Sanitwongsenee, Kru Lamul Yamakup, Teacher Chalaya Sukhavanich, Teacher Mallee Kongpraphat, Teacher Chamriang, Phutpradap, etc. combined with talent and persistence in training until he can reach the characters in depth, causing Ajarn Wenika Bunnag to be assigned to act as a protagonist in foreign dramas, inner dramas, and dramas in front of the public continuously since childhood until his skills, knowledge, expertise and 2) the process knowledge arising from the accumulation of experience until it is clear coupled with continuous self-training It is a skill in the practice of the dance process that is classified as the individual's ability to move the body in various postures, including conveying the emotions that create the beauty and beauty according to the conventions of outside theatrical performances, inner dramas, and musical dramas. which can be synthesized by means of the various body parts from head to toe that are closely related can be used to develop the process of transferring knowledge of the performing arts of Thai dance to make it more beautiful.