Road to Recovery: An Analysis of Chinese‘s Nationalism Through the Performance

Abstract

This research consists purposes were first, to study the history and development of Chinese nationalism from 1840 to 2009; and second, to study and analyze the form and role of the 2009 production "The Road to Recovery" in reflecting Chinese nationalism. Employing a qualitative research methodology, data were collected through documentaries, in-depth interviews, observations, and questionnaires. The study involved various participants, including four performers, two narrators, three choreographers, two musicians, two singers, two scriptwriters, and two composers, as well as an audience group of 30 individuals. The gathered information was then subjected to descriptive analysis. This research examines the evolution of Chinese nationalism performances, particularly large-scale musical and dance epic productions, over 169 years since the Opium War in 1840. The study divides this period into four key phases: the Opium War (1840-1919), the national revolution (1919-1940), the liberation war and the founding of new China (1940-1990), and the return of Hong Kong (1990-2009). Throughout this time, only four significant nationalism performances were staged in 1949, 1964, 1984, and 2009. Notably, "The Road to Recovery" celebrated the 95th anniversary of the founding of the Communist Party of China, depicting the arduous journey towards the great rejuvenation of the Chinese nation through an epic blend of music and dance. This production highlighted the Chinese Communist Party's leadership in guiding the nation through significant historical milestones, expressing the deep patriotism of 1.4 billion Chinese people. "The Road to Recovery" in 2009 showcased a meticulously crafted program integrating music, dance, recitation, and stage design, symbolizing the Spirit of the Chinese nation and the theme of its great rejuvenation. In China, performing arts serve not only as a medium to convey cultural traditions but also as a bridge for patriotic engagement between the Communist Party and the people.