A Creation of Kan La Ya Yiam Hong Sam Chan for Ra Nad Thum Solo

Authors

  • Jakkrit Wattanakool Lecturer from Suphanburi College of Dramatic Arts Bunditpatanasilpa Institute of Fine Arts Ministry of Culture

Keywords:

Creation, Solo, Ra Nad Thum

Abstract

This research consists purposes were to create a single track Pleng Kan La Ya Yiam Hong Sam Chan for Ra Nad Thum solo. is a Qualitative research The research tools were interviews and observational forms, with the target groups for the research being a group of 4 knowledgeable people, a group of 5 practitioners, and a group of 20 general informants who were selected through a purposive selection. The data collected from the interviews and related documents were then content analysis. The results of the study found that. of Kan La Ya Yiam Hong Sam Chan for Ra Nad Thum Solo that appeared in the creative work. The creator got inspiration and ideas from Thai songs with Chinese accents as he learned from Thai music teachers. with expertise in xylophone Including imagination and experience in Thai music that has gained knowledge in the xylophone from many Thai music teachers. by bringing it through the analysis process. Synthesize and combine them into a single concept. To complete the elements of the characteristics of solo xylophone songs. It also incorporates language melodies to create newness and techniques and styles in playing solo songs. to achieve consistency The melodiousness of a single track of Thai songs with Chinese accents in its entirety. Until it became a body of knowledge in arts and culture in the form of a single track, Ranat Tum. To benefit students, Thai musicians and those interested in creative work.

Author Biography

Jakkrit Wattanakool, Lecturer from Suphanburi College of Dramatic Arts Bunditpatanasilpa Institute of Fine Arts Ministry of Culture

Lecturer from Suphanburi College of Dramatic Arts Bunditpatanasilpa Institute of Fine Arts Ministry of Culture

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Published

2024-05-13