The Solo Song ‘Sudsanguan Samchan’ for Khong Wong Yai by Master Wichian Kerdphol.

Abstract

This research consists purposes 1. To study the context related to Khong Wong Yai Solo, Song Suan Sanguan, Three Floors, via Kru Wichian Kerdphol and 2. To study the characteristics and use of a special tactic of the Khong Wong Yai Pleng Sut Sanguan three-storey solo route, by Kru Wichian Kerdphol, this was a qualitative research. There is a research tool, namely an interview form, and the target group is Kru Wichian Kerdphum, which comes from a specific selection. Then use the information gathered from the interview form and from various related documents such as books, articles, research papers, interviews, concepts and theories. to conten analysis. The results of the research showed that 1) Song Suan Sanguan, three floors of antiques It's a song whose author is unknown. And I don't know what song it is composed of. Song Suan Sanguan, Sam-Khao, is a 6-rhythm mon accent song (Na Thap). Kru Kloi Na Bangchang, he is a famous teacher pee in Samut Songkhram province. You cut off the most reserved melody. Three layers down to the rate, two floors, and invent the melody into a more mon accent. Later, Kru Montri Tramot obtained a two-tiered melody from Kru Kloi Na Bangchang and cut it down into a single layer, complete as a single vine song, most reserved. It is a song that plays on the ground for one trip and one more trip, also known as Sweet passage and collect way, totaling 2 trips to finish the song, and 2) a study of the characteristics Special tactics of Khong Wong Yai solo, Song Suan Sanguan, Three Levels by Kru Wichian Kerdphol, namely, the style of playing in a sequence of flicking up and down consecutively. Sleek flicks, cross-hand strikes, compositing. sweeping using a crescent using a spatula The use of special tactics in playing solo songs requires careful phrasing. must take into account the correct and clear practice methods in order to meet the standards and the perfection of playing a single song