HONGCHARU, C. Tempo interpretation and symbolic motives in opening movement of Haydn’s The Creation. Humanities, Arts and Social Sciences Studies, [S. l.], v. 26, n. 1, p. 273–286, 2026. DOI: 10.69598/hasss.26.1.283509. Disponível em: https://so02.tci-thaijo.org/index.php/hasss/article/view/283509. Acesso em: 16 sep. 2026.