Journal of Fine and Applied Arts Khon Kaen University https://so02.tci-thaijo.org/index.php/fakku <p><strong>ISSN 3027-6292 (Print)<br />ISSN 2730-2245 (Online)<br /></strong></p> <p>Journal of Fine and Applied Arts, Khon Kaen University ISSN 3027-6292 (Print) ISSN 2730-2245 (Online). To help support and publish academic achievements and creative artworks which cover productions of visual arts, visual communication design, music, performance art, and cultural art; to also serve as a medium to connect artists, lecturers, scholars, researchers, students, and the average people including Thais and foreigners. Publishes twice per year : Issue No.1 (January – June), Issue No.2 (July – December) Peer-Review: Double-Blind</p> คณะศิลปกรรมศาสตร์ มหาวิทยาลัยขอนแก่น Faculty of Fine and Applied Arts, Khon Kaen University en-US Journal of Fine and Applied Arts Khon Kaen University 1906-6023 <p>Content and information in articles published in the Journal of Fine and Applied Arts of Khon Kaen University is regarded as the opinion and sole responsibility of the author(s) directly; therefore, editors are not obliged to agree to or share any responsibility with regard to the content and information that appears within these articles.</p> <p>All articles, information, content, image, etc. that have been published in the Journal of Fine and Applied Arts of Khon Kaen University is the copyright of the Journal of Fine and Appllied Arts of Khon Kaen University. Any person or organization who wishes to distribute all or parts of the articles for further dissemination or other usage must first receive permission from the Journal of Fine and Applied Arts of Khon Kaen University before proceeding to do so.</p> “Tair Wong” Folk brass band, Care Study of “Wichansin Band” Sukhothai Province https://so02.tci-thaijo.org/index.php/fakku/article/view/257092 <p> This article is intended To study the history music characteristics and roles and duties of “Tair Wong” Folk brass band, Care Study of “Wichansin Band” serving society in Sukhothai Province and nearby provinces for a long time. The brass band of the Faculty of Arts was established in 1990.The style of playing has been developed for 32 years. The style of playing has been modified to suit the needs of the people in society until it is widely liked until now. Musical styles and characteristics There is a mix of orchestra styles. Use the method of sitting, playing and walking. The songs are classified into 2 types, namely Thai songs and Luk Thung songs. sing a single melody Use major scale, rhythm pattern , </p> Teerapong Tup-at Copyright (c) 2023 Journal of Fine and Applied Arts Khon Kaen University https://creativecommons.org/licenses/by-nc-nd/4.0 2023-12-28 2023-12-28 15 2 269 282 The The Waste Material’s Development from Panan Pandanus Handicrafts to a New - Creative Material Case Study of Panan Pandanus Product Community Enterprise of Ban Duhun, Trang Provinc https://so02.tci-thaijo.org/index.php/fakku/article/view/256556 <p>This research is Practice-based Research aims to 1) study the guidelines and feasibility of developing waste material from Panan Pandanus handicraft 2) to experiment with developing waste material from Panan pandanus handicraft as a new creative material. The study area is Panan pandanus Product of Ban Duhun Community Enterprise, Trang Province. Data collection by recording experimental data and results in a stepwise manner. Analyze the data from the results of the experiments at different stages. The results showed that digestion of Panan pandanus stripes fibers by soaking in water or brine and using boiling heat made the color of the Panan pandanus stripes fibers slightly weaker, but the fibers were not digested. When experimenting with immersion with sodium hydroxide and soaking it with bleach and then bringing it to a boil makes the color of the lighter, longer immersion time and boiling has the effect of which the fiber will begin to be digested more and more. Waste materials from fiber digestion are used to create new materials into 2 shapes: 1. Sheet style: Using pandanus pulp that is less than 100 grams in A4 size frame causes the material to be broken at some area, but using more than 100 grams of pulp, the sheet material will be thicker. The addition of Sodium Carboxymethyl Cellulose (CMC) to the tissue makes the material tougher and stronger. 2. Three-dimensional form: shaped by hand and use of mold, the resulting material is light weight, rough surface. Continuous development possibilities can develop creative new materials in the form of Panan pandanus paper with various texture characteristics caused by fiber digestion method as well as raising awareness according to the circular economy concept, which emphasizes on the cost-effective use of resources in order for the community to use the guidelines for further development.</p> Saravudh Klinsuwan Phuvanart Rattanarungsikul Copyright (c) 2023 Journal of Fine and Applied Arts Khon Kaen University https://creativecommons.org/licenses/by-nc-nd/4.0 2023-12-28 2023-12-28 15 2 1 29 Participating Production Management of a Theatre Mixed Film Production: Intersection https://so02.tci-thaijo.org/index.php/fakku/article/view/256601 <p>The article presents the results of the creative process of the Intersection display. The main objectives are to find a solution and a procedure for the production of theatre mixed films that are suitable for the COVID-19 epidemic situation. The operation was divided into three stages: pre-production, during production, and after production. The findings indicate that: 1. A team's participating production management has emerged. It resulted from a working style change to be appropriate for the epidemic situation of COVID-19 by having fewer than seven people in the team. 2. Team members must have skills, experiences, knowledge, abilities, and potential for more than one duty to cover the other roles and responsibilities in the production process. 3. This method is appropriate for theatre mixed film productions or small film groups.</p> Phongsak Pimpaengrak Sasiwimon Wongwattanadech Pachaya Akkapram Copyright (c) 2023 Journal of Fine and Applied Arts Khon Kaen University https://creativecommons.org/licenses/by-nc-nd/4.0 2023-12-28 2023-12-28 15 2 30 53 Memories Renew: Creating a Web Application for Alzheimer's Disease Understanding https://so02.tci-thaijo.org/index.php/fakku/article/view/256693 <p><strong> </strong>Memories Renew is an experimental performance that combined applied performance and web applications. The objective of creating a performance has been presented the Alzheimer's disease conditions and created direct experiences for an audience through many elements in a performance such as storytelling, text, photos, and sound. However, a performance focus on audience reaction. Performance-making involved the following steps: First, researching and analyzing data on Alzheimer's disease and the patient's situation, and using them to create applied performance processes and activities for exploring the understanding of Alzheimer's disease among participants. Second, change academic information and results from the process of applied performance to the content of a performance by using the principle of creating a linear plot. Third, take the story to create the concept design and choose a presentation style for communicating the issue to the audience. Fourth, create a performance on a web application platform. Fifth, present and evaluate performance. The results showed that a performance communicated and created an understanding of Alzheimer's disease to the audience. The audience learned and realized about the condition of Alzheimer's patients, which comes from participating in the performance as a player-audience and learning through the experiences of the story's main character. And a web application performance reached the audience in all areas.</p> Panida Prasomsri Anattacha Pulanram Nannaphat Saeteng Pachaya Akkapram Copyright (c) 2023 Journal of Fine and Applied Arts Khon Kaen University https://creativecommons.org/licenses/by-nc-nd/4.0 2023-12-28 2023-12-28 15 2 54 79 A Song Collection for Music Teaching According to Kodály’s Concept: A Case Study of Lanna Music https://so02.tci-thaijo.org/index.php/fakku/article/view/256735 <p> This research aims to 1) analyze the musical element of Lanna music, and 2) create a song collection from Lanna songs for teaching music according to Kodály’s concept. Qualitative research methodology was employed in this research. The research results revealed that 28 selected Lanna songs had 2-9 sound sets, 9 types of sound systems, time signature 2/4, 3/4, and 4/4. There are melodic forms: A, AA', AB, ABA', ABCB', and ABAB''AB'''AB'''AB''''. There are Rhythmic elements; whole note, half note, quarter note, eighth note, sixteenth note, dotted note, and rest note. The songs suitable for students in Grade 1, Grade 4, Grade 5 and Grade 6. A song collection was created from 28 songs which were classified into the music elements; types of music, sound set, sound system, time signature, melodic form, Rhythmic element and appropriate grade, used for teaching music according to Kodály’s concept.</p> Khanithep Pitupumnak Copyright (c) 2023 Journal of Fine and Applied Arts Khon Kaen University https://creativecommons.org/licenses/by-nc-nd/4.0 2023-12-28 2023-12-28 15 2 80 101 Thung in the Boon Phawet Tradition Roi Et Province: Patterns and Beliefs Leading to the Creation of Contemporary Dance Thung Phawet Mahachati Preaching https://so02.tci-thaijo.org/index.php/fakku/article/view/256280 <p> The creation of Thung Phawet Mahachati Preaching aimed 1) Study patterns and beliefs from Thung in the Boon Phawet traditional Roi Et Province and 2) Create contemporary dance performances Thung Phawet Mahachati Preaching. The creation instruments consisted of an observation form and an interview form. The study found that the pattern of Thung Phawet in Roi Et is unique characterized by the bamboo weaving type is the most common are horses, elephants, tiers, and castles and found identifying the name of the creator of the Thung offering and the name of the deceased that the relatives made merit consecrated to by means of weaving or embroidery into the bamboo weaving. There are 2 types of beliefs about offering Thung. 1) Making merit by offering Thung It is believed that it will be well auspicious for life. And 2) The giving of alms believed to help the souls of the deceased escape from hell or karmic and ascends to heaven with Thung and also found the belief of the eight directions of the sanctity in the event area believed that it is a symbol of victory for the devils will come to deal in the Boon Phawet. The merits of the offering are said to describe the fields swaying and flowing with the wind. It is consistent with the eight directions, namely Burapha, Southeast, Thaksin, Hordi, Pachim, Payap, Udon and Isan. It is a belief since ancients.</p> <p> The research used the presentation in the form of contemporary dance the creative process is 1) Concepts and inspiration for creation 2) Creative design of dance steps 3) Dance moves 4) Performers 5) Costume design 6) Performance equipment and 7) Music for the performance. The form a presentation of the show is divided in 4 periods 1) Present to the way of life weaving Thung and Phawet banners 2) Present to the pattern of Thung 3) Present to the show The sway of Thung 4) Present to the merits of Thung offering costume design is a conservative and creative style consider the show that can movement the body. The show's props consist of weaving futons, paint brushes, Phawet banners, bamboo poles and Thung banners. Music for the performance show has been rewritten by using folk instruments together with international instruments There is a chorus in the melody of the Isan preaching by divided the song in a total of 4 parts, 7 verse Thung Phawet Mahachati Preaching show reflecting development of the process and performances concept creation of works from scholars in the field of dramatic arts. Analysis of data and create contemporary dance.</p> Nucharin Phonsan Copyright (c) 2023 Journal of Fine and Applied Arts Khon Kaen University https://creativecommons.org/licenses/by-nc-nd/4.0 2023-12-28 2023-12-28 15 2 102 128 The Study of Knowledge and Skills for Storyboard Artist https://so02.tci-thaijo.org/index.php/fakku/article/view/257432 <p> The purpose of this research is to study knowledge and skills for storyboarding careers in Thailand by using a mixed methods research with a questionnaires and in-depth interviews from key informants. The statistics used in the research were descriptive statistics. It was the analysis of general data characteristics. Display the measurement in terms of mean values, i.e. mean, percentage and standard deviation to describe the results. The research population is professional storyboard artists in Thailand 10 person by using the tools used to collect data include: questionnaires and interviews which the operating procedure is Study and find information to design and develop tools for creating questionnaires and interviews. The generated assessment is then taken to an expert for review for content fidelity. After that, the question-to-object correspondence index was analyzed. The results showed that Knowledge for a storyboarding career includes: knowledge of film theory art theory Composition and drawing skills are required. Sorted by the most important parts are data communication The storytelling was understood (𝑥̅=4.60), followed by drawing the human movements (𝑥̅=4.00), followed by drawing the human face (𝑥̅=3.80), which was as important as the scenery. Camera angle and camera movement are just as important as the continuity of the shot (𝑥̅=3.70). The medium and long distances in the image were equally important as the image size (𝑥̅=3.60). Composition (𝑥̅=2.90) The low evaluation scores were editing (𝑥̅=2.60) and 180 degree lines (𝑥̅=2.00). Screen size (𝑥̅=0.80), considering the light source (𝑥̅=0.70), the least evaluation level is to take into account the realistic lighting and shadows and the use of color (𝑥̅=0.60).</p> Nitjung Pantapot Copyright (c) 2023 Journal of Fine and Applied Arts Khon Kaen University https://creativecommons.org/licenses/by-nc-nd/4.0 2023-12-28 2023-12-28 15 2 129 152 Occupational Conditions of Western Music Musicains in Ratchaburi https://so02.tci-thaijo.org/index.php/fakku/article/view/257530 <p> This research article aims to study a background, characteristics of western music bands using for their living in past and present, characteristics of producing western music, singing, exhibiting western music, conditions of performing western music in their occupation, problem, and solution in their occupation in Rachatburi. The study found that, <br />In the Rachaburi, western music bands have been established for over fifty years, “The Four Singles” is considered the first western music bands founded in Rachaburi. The growing popularity of western music bands causing more and different bands, some band adjusted from “can-wong”, some band established from merger of independent musician and some band established for occupation. At the present, there are many types of western music bands such as Rock and Pop band, Acoustic band, Big band, Ram-wong Yonyook, and independent musicians. The songs played, such as popular songs, Thai folk songs, and western songs. Musicians played in pub &amp; restaurant, festival, party and tourist attraction. An income from playing music is uncertain in each month from 1,400 to 30,000 Baht. Problems in carrying western musicians can be occurred from the musician himself, an external factor, an income and a pandemic of Covid-19. Musicians in Rachatburi province must often develop themselves and adapt for any change, save some money for their future and develop other skills for other jobs to generate enough income of living.</p> Watchara Sandet Copyright (c) 2023 Journal of Fine and Applied Arts Khon Kaen University https://creativecommons.org/licenses/by-nc-nd/4.0 2023-12-28 2023-12-28 15 2 153 171 The Creation Isan Soundtracks of Drama for Online Advertising in Concept of “Spirit of Smart KKU” The Miniseries https://so02.tci-thaijo.org/index.php/fakku/article/view/257546 <p>This research aims to 1. Study the online play “Spirit of Smart KKU” The Miniseries. The online drama “Spirit of Smart KKU” The Miniseries is a drama funded by the KKU Smart Farm project. It is one of the 11 strategic projects of Khon Kaen University. that focuses on enhancing cooperation for development in the Faculty of Science and Technology together to research and build a modern farm with high potential, can be expanded into a large industry in the future as well as being able to transfer technology to agriculture To create a parallel business that will continue to be connected to the network in the production line The story will tell about the events in Khon Kaen University from the past to the present. and forwarding the ideology of Khon Kaen University that is "Devotion to Society"</p> <p>2.Creating music and sound effects for the online drama “Spirit of Smart KKU” The Miniseries. The creation of music and sound effects is divided into four stages of work: 1. Pre-Production. It is a step in planning the event. Show that the main idea of creating music and sound effects 2. Production is the process of filming and recording actors (Dialogue), including editing the voices of the actors completely for use in the next step. 3.Post-Production It's the process of making music and sound effects. starting from the structure Editing, which includes 4 edits to the work, then is the recording process (Record), Sound Editing (Edit), Mix &amp; Master, Sound Effect and Foley, using sounds from Library and 4. Publish as steps. Evaluation from experts from academics, music experts. Online publishing: Facebook Page Khon Kaen University and Page Khon Kaen University Student Organization and collecting satisfaction from the audience.</p> Artit Krajangsree Copyright (c) 2023 Journal of Fine and Applied Arts Khon Kaen University https://creativecommons.org/licenses/by-nc-nd/4.0 2023-12-28 2023-12-28 15 2 172 194 Development of Label for Coconut Juice, Klin Ai Tan Community Enterprise, Bang Thorat Sub-District, Mueang Samut Sakhon District, Samut Sakhon Province. https://so02.tci-thaijo.org/index.php/fakku/article/view/257652 <p>The objectives of this research work are 1) to study on information and direction for the development of label of coconut juice product of Klin Ai Tan Community Enterprise, Bang Thorat Sub-district, Mueang Samut Sakhon District, Samut Sakhon Province; 2) to develop label of coconut juice product; and 3) to assess the satisfaction toward the prototype label of coconut juice product. This research work uses mixed methodology that is the combination between qualitative and qualitative research methodologies. The area in which the research work is conducted is Bang Thorat Sub-district, Mueang Samut Sakhon District, Samut Sakhon Province. The key informants consist of 3 community enterprise members, 5 design experts and 100 samples who are consumers, making the total number of key informants become 108. The tools used on this research include the semi-structured interview script, the questionnaire of the evaluation of label of coconut juice product and the questionnaire of the assessment of satisfaction. The samples are selected with purposive sampling and random sampling techniques. The statistical values used include percentages, means and standard deviation. The findings from the research show as follows. 1) Klin Ai Tan Community Enterprise has been producing 100 percent coconut juice from the pollen of coconut flowers. The group has developed and added value to local raw material by transforming it. However, Klin Ai Tan Community Enterprise still lacks of knowledge and comprehension in marketing principles; additionally, there are still few channels for distribution and promotion of the product. Consequently, the product is not well known among consumers. Also, the current label of the product has no focal point to communicate to consumers. Thus. It cannot attract consumers. The direction for developing the label for coconut juice is to design the label to look outstanding with the key factor of creative economy approach and the key factor of graphic design. 2) In this project, 5 new labels of coconut juice product are designed. The design with the greatest mean is Design 2 which is appropriate in the high level (𝑥̅ = 3.69, S.D. = 0.98). Afterward, a prototype label in Design 2 is produced. 3) The findings from the assessment of samples’ satisfaction towards the designed label show that the samples are highly satisfied with the overall design of the label of coconut juice product (𝑥̅ = 4.08, S.D. = 0.95). Meanwhile, the factor with the highest mean is the factor of creative economy approach, which has achieved the high level of satisfaction (𝑥̅ = 4.13, S.D. = 0.92). As for the other factor, or the factor of the communication of the label, the satisfaction in high level (𝑥̅ = 4.03, S.D. = 0.97). The item in the factor of creative economy approach that consumers are most satisfied with is the item of the capability of the label of adding value to a new product that is made from local raw material, with the satisfaction in the high level (𝑥̅ = 4.19, S.D. = 0.87). As for the factor of the communication of the label, the consumers are most satisfied with the item of the capability of the image that clearly depicts the product and is beautiful, with all signs and symbols in proper sizes shown, the satisfaction to which is in the high level (𝑥̅ = 4.13, S.D. = 0.91).</p> Saneh Sompoangeon Sopa Nudang Copyright (c) 2023 Journal of Fine and Applied Arts Khon Kaen University https://creativecommons.org/licenses/by-nc-nd/4.0 2023-12-28 2023-12-28 15 2 195 219 Contemporizing Classical Thai Dance: Inspiration from Handcrafts to Mixed Multimedia Performance https://so02.tci-thaijo.org/index.php/fakku/article/view/257826 <p>Digital technology has gradually become ubiquitous in performing arts but is rarely used in traditional dance. This research studied how digital technology may be used in traditional Thai dance and the ways which contemporary dance may be created, maintaining cultural and traditional Thai dance roots by blending multimedia to communicate with audiences. New choreographic approaches were explored by combining elements of Thai and daily life to develop new Thai dance gesture forms. Choreographic concepts were inspired by Thai handcrafts, created with alluring varied weave patterns and methods reflecting different lifestyles and beliefs of regional populations. Dance composition theory and visual arts were used as design principles. Results were that experimental dance using multimedia technology materially conveys wisdom messages and meanings in communicating with audiences. The public is encouraged to appreciate weaving pattern esthetics and better understanding weaving techniques as well as the value and spirit of handcrafts. This creative work may be used as guideline for creating further new contemporary choreographic approaches based on blending traditional dance with multimedia in groundbreaking performances.</p> Pawinee Boonserm Copyright (c) 2023 Journal of Fine and Applied Arts Khon Kaen University https://creativecommons.org/licenses/by-nc-nd/4.0 2023-12-28 2023-12-28 15 2 220 248 Vocal Techniques for Fighting Scenes from Raja-Dhiraja Ethnic Drama Performance (Saming Phra Ram Asa Episode) by Department of Fine Arts https://so02.tci-thaijo.org/index.php/fakku/article/view/257885 <p>This research is part of the dissertation regarding “Vocal Techniques for Fighting Scenes from Raja-Dhiraja Ethnic Drama Performance by Department of Fine Arts<strong>”</strong>, aiming to study the vocal techniques and style of singing for fighting scenes from Raja-Dhiraja ethnic drama performance (<em>Saming Phra Ram Asa </em>Episode) by Department of Fine Arts. It makes use of qualitative research to interview Kru Somchai Tubporn who is in charge of making the role play, recording the music, and relaying the method of singing. Including others related professions. The acquired information is arranged in form of descriptive analysis.</p> <p> </p> <p>This study of Khru Somchai Tubporn’s singing illustrates precedence to interpreting the singing emotions to sync with the character’s emotions through 8 techniques. These vocal techniques are divided into 2 groups: 1. special techniques to enrich the lyrics including rhythm alterations (Kan Lak Changwa), word modification (Kan Pan Kham), rolling tones and words (Kan Muan Siang Muan Kham), voice diversion (Kan Phan Siang), and stressing tones and words (Kan Nen Siang - Nen Kham); 2. special techniques to decorate the wordless vocalization (euan) including embellishments with a grace note (Kan Kra-thop Siang), triplet (Kan Sabud Siang), spreading tones (Kan Proi Siang). As for the singing style, the result can be divided into 3 types including: 1. style of singing in the play while exhibiting emotions of the characters; 2. style of singing from assigning singers from the play; 3. style of singing emerged from the relationship between the singers and the ensemble.</p> Nitipong Khairoo Bussakorn Binson Copyright (c) 2023 Journal of Fine and Applied Arts Khon Kaen University https://creativecommons.org/licenses/by-nc-nd/4.0 2023-12-28 2023-12-28 15 2 249 268